Poetry
The late Mary Oliver was one of our most brilliant observers of the natural world. Her poetry changed the way that I saw and related to our earth and its creatures, and I have turned to her words throughout the years for inspiration, reassurance, renewed wonder and reminders of gratitude. The fundamental values of forest therapy can be found woven throughout her poetry. From her mindful engagement with all of life - from daisies to celestial bodies - to the acute quality of her attention, to the breadth of her amazement and profound gratitude, Mary Oliver practiced and fully embodied being in right relationship with the more-than-human world. While I am inspired and nourished by many poets, I have chosen to share a few of my favourite poems of hers, in the hopes that her lens on our earth may also sharpen your gaze, and soften your heart, and land in you as they have landed in me.
What Is There Beyond Knowing
What is there beyond knowing that keeps
calling to me? I can’t
turn in any direction
but it’s there. I don’t mean
the leaves’ grip and shine or even the thrush’s
silk song, but the far-off
fires, for example,
of the stars, heaven’s slowly turning
theater of light, or the wind
playful with its breath;
or time that’s always rushing forward,
or standing still
in the same—what shall I say—
moment.
What I know
I could put into a pack
as if it were bread and cheese, and carry it
on one shoulder,
important and honorable, but so small!
While everything else continues, unexplained
and unexplainable. How wonderful it is
to follow a thought quietly
to its logical end.
I have done this a few times.
But mostly I just stand in the dark field,
in the middle of the world, breathing
in and out. Life so far doesn’t have any other name
but breath and light, wind and rain.
If there’s a temple, I haven’t found it yet.
I simply go on drifting, in the heaven of the grass and the weeds.
Mindful
Everyday
I see or hear
something
that more or less
kills me
with delight,
that leaves me
like a needle
in the haystack
of light.
It was what I was born for —
to look, to listen,
to lose myself
inside this soft world —
to instruct myself
over and over
in joy,
and acclamation.
Nor am I talking
about the exceptional,
the fearful, the dreadful,
the very extravagant —
but of the ordinary,
the common, the very drab,
the daily presentations.
Oh, good scholar,
I say to myself,
how can you help
but grow wise
with such teachings
as these —
the untrimmable light
of the world,
the ocean’s shine,
the prayers that are made
out of grass?
Terns
Don’t think just now of the trudging forward of thought,
but of the wing-drive of unquestioning affirmation.
It’s summer, you never saw such a blue sky,
and here they are, those white birds with quick wings,
sweeping over the waves,
chattering and plunging,
their thin beaks snapping, their hard eyes
happy as little nails.
The years to come-this is a promise-
will grant you ample time
to try the difficult steps in the empire of thought
where you seek for the shining proofs you think you must have.
But nothing you ever understand will be sweeter, or more binding,
than this deepest affinity between your eyes and the world.
The flock thickens
over the rolling, salt brightness. Listen,
maybe such devotion, in which one holds the world
in the clasp of attention, isn’t the perfect prayer,
but it must be close, for the sorrow, whose name is doubt,
is thus subdued, and not through the weaponry of reason,
but of pure submission. Tell me, what else
could beauty be for? And now the tide
is at its very crown,
the white birds sprinkle down,
gathering up the loose silver rising
as if weightless. It isn’t instruction, or parable.
It isn’t for any vanity or ambition
except for the one allowed, to stay alive.
It’s only a nimble frolic
over the waves. And you find, for hours,
you cannot even remember the questions
that weigh so in your mind.
The Ponds
Every year
the lilies
are so perfect
I can hardly believe
their lapped light crowding
the black,
mid-summer ponds.
Nobody could count all of them —
the muskrats swimming
among the pads and the grasses
can reach out
their muscular arms and touch
only so many, they are that
rife and wild.
But what in this world
is perfect?
I bend closer and see
how this one is clearly lopsided —
and that one wears an orange blight —
and this one is a glossy cheek
half nibbled away —
and that one is a slumped purse
full of its own
unstoppable decay.
Still, what I want in my life
is to be willing
to be dazzled —
to cast aside the weight of facts
and maybe even
to float a little
above this difficult world.
I want to believe I am looking
into the white fire of a great mystery.
I want to believe that the imperfections are nothing —
that the light is everything — that it is more than the sum
of each flawed blossom rising and fading. And I do.
“Poetry returns us to our own silence. ”